Television Formats

Critical Studies in Television, 8:2, 2013, Special Issue on TV Formats.

 

Adriaens, F. and Biltereyst, D. (2012) “Glocalized Telenovelas and National Identities: A ‘Textual Cum Production’ Analysis of the ‘Telenovela’ Sara, the Flemish Adaptatioan of Yo soy Betty, la fea,’ Television & New Media, 13(6): 551-67. http://tvn.sagepub.com/content/13/6/551.short

Chalaby, J. K. (2010) "The rise of Britain's super-indies: Policy-making in the age of the global media market." The International Communication Gazette, 72(8): 675-693. Available at http://gaz.sagepub.com/content/72/8/675.abstract

Chalaby, J.K. (2011) “The making of an entertainment revolution: How the TV format trade became a global industry.” European Journal of Communication, 26(4) 293–309. Available at http://ejc.sagepub.com/content/26/4/293.refs

Chalaby, J.K. (2012) “At the Origin of a Global Industry: The TV Format Trade as an Anglo-American Invention.” Media, Culture & Society, 34(1): 36-52. http://mcs.sagepub.com/content/34/1/36.short

Chalaby, J.K. (2015). The Format Age. Television's Entertainment Revolution. Cambridge: Polity Press.

Chalaby, J.K. (2015). "The advent of the transnational TV format trading system: a global commodity chain analysis." Media, Culture and Society, 37(3), 460-478.

Cooper-Chen, A. (2005) “A world of 'millionaires': Global, local, and 'glocal' TV game shows.” in Cooper-Chen, A. (ed) Global Entertainment Media: Content, Audiences, Issues. London: Lawrence Erlbaum: 237-251. Available at http://www.amazon.co.uk/Global-Entertainment-Media-Audiences-Communication/dp/toc/0805851690

Espinosa-Medina, H.D. & Uribe-Jongbloed, E. (2014). "A clearer picture: Towards a new framework for the study of cultural transduction in audiovisual market trades." OBS-Observatorio, 8(1), 23-48.

Espinosa-Medina, H.D. & Uribe-Jongbloed, E. (2015). "Do it, but do it dancing!": Television and format adaptations in Colombia in the 1980s and early 1990s. In K. Aveyard y A. Moran (Eds.) (2015). Transnational formats before Big Brother. Bristol: Intellect Books.

Esser, A. (2010) "Formatiertes Fernsehen – Die Bedeutung von Formaten für Fernsehsender und Produktionsmärkte." Media Perspektiven, 2010(11): 502-514. Available at http://www.media-perspektiven.de/261.html?&tx_mppublications_pi1%5BshowUid%5D=1611&cHash=cbc6b9d0ba

Esser, A. (2010) "Television formats: primetime staple, global market." Popular Communication: The International Journal of Media and Culture, 8(4): 273-292. Available at http://www.tandfonline.com/toc/hppc20/8/4

Esser, A. (2013) “The format business: Franchising television content.” International Journal of Digital Television, 4(1): 141-158. http://www.intellectbooks.co.uk/journals../view-Article,id=15405/

Esser, A. (2014). "European television programming: exemplifying and theorizing glocalization in the media", in Robertson, R. (ed.). European Glocalization in Global Context. Basingstoke: Palgrave, pp. 82-102.

Esser, A. and Jensen, P. M. (2015). "The use of international television formats by public-service broadcasters in Australia, Denmark and Germany", International Communication Gazette, published online Feb 2015. Available at http://gaz.sagepub.com/content/early/2015/02/16/1748048514568766.full.pdf?ijkey=PHQgzcTEQHe49F1&keytype=finite

Esser, A., Bernal Merino, M. & Smith I. R, (eds.) (2016). Media Across Borders: Localizing TV, Film and Video Games. London: Routledge. Available at https://www.routledge.com/products/9781138809451

Gutiérrez Lozano, J. F. (2010) “Regional television in Spain: the Andalusian case.” in Media History, 16, 1, pp. 115-121. Available at http://www.tandfonline.com/doi/abs/10.1080/13688800903395551

Gutiérrez Lozano, J. F. (2010) “Public TV and regional cultural policy in Spain as reflected through the experience of Andalusian regional television.” in Cultural Trends, 19, 1-2, pp. 53-63. Available at http://dx.doi.org/10.1080/09548961003696047

Hallenberger, G. (2002) “Fernsehformate und internationaler Formathandel.“ in Internationales Handbuch Medien 2002/2003. Hans-Bredow-Institut. Hamburg: Nomos Verlagsgesellschaft: 130-137. Available at http://www.amazon.de/Internationales-Handbuch-Medien-2002-2003/dp/3789080640/ref=sr_1_1?ie=UTF8&qid=1346327925&sr=8-1

Hetsroni, A. (2004) "The Millionnaire project: a cross-cultural analysis of quiz shows from the United States, Russia, Poland, Norway, Finland, Israel, and Saudi Arabia." Mass Communication & Society, 7(2): 133-156. Available at http://www.tandfonline.com/doi/abs/10.1207/s15327825mcs0702_1

Hill, A. and Steemers, J. (2011) “Big Formats, Small Nations: Does Size Matter?” in Lowe, G. and Nissen C. (eds) Broadcasting in Smaller States, Goteborg: Nordicom. Available at http://www.nordicom.gu.se/?portal=mr&main=info_publ2.php&ex=331

Iwabuchi, K. (2003) "Feeling glocal. Japan in the global television format business.“ in Moran, A. (ed) Television Across Asia, London: Routledge, pp. 21-35. Available at http://www.ebookstore.tandf.co.uk/html/moreinfo.asp?bookid=536904918&etailerid=19

Jäger, E. and S. Behrens (2009) The FRAPA report 2009. TV formats to the world. Cologne/Hürth: FRAPA. Available at http://www.frapa.org/services/frapa-report/

Jensen, P.M. (2007) "Danish and Australian television: the impact of format adaptation." Media International Australia, Incorporating Culture and Policy, 124: 119-133. Available at http://imv.au.dk/~piamj/Danish_Australian_TV_impact_of_Formats.pdf

Jensen, P.M. (2012) "How media system rather than culture determines national variation: Danish Idols and Australian Idol compared." in Zwaan, K. & de Bruin, J. (eds.) Adapting Idols. Ashgate. http://www.ashgate.com/isbn/9781409441694

Jensen, P.M. (2013) “The Use of Format Adaptation in Danish Public Service Programming.” Critical Studies in Television, 8(2): 85-103. http://cstonline.tv/vol8-no2

Keinonen, H. (2009) “Kaverukset: Constructing a Sense of Cultural Proximity in a Finnish Adaptation of Hancock’s Half Hour.” Critical Studies in Television 4:2, 37–52. Available at http://www.ingentaconnect.com/content/manup/cstv/2009/00000004/00000002/art00004

Keinonen, H. (2012). "Early Commercial Television in Finland: Balancing between East and West." Media History, 18:2, 177–189. (to General: Media globalisation, adaptation and translation theories section)

Khalil, J. (2004) “Blending in: Arab Television and the Search for Programming Ideas.” Transnational Broadcasting Studies, 13. Available at http://www.tbsjournal.com

Khalil, J. (2006) “Inside Arab Reality Television: Development, Definitions and Demystification.” Transnational Broadcasting Studies, 1, 2, 2006. Available at http://www.amazon.com/Real-Arab-World-Democratizing-Transnational/dp/9774249836

Kjus, Y. (2009). "Everyone needs Idols. Reality television and transformations in media structure, production and output." European Journal of Communication, 24(3): 287-304. Available at http://ejc.sagepub.com/content/24/3/287.short

Koch-Gombert, D. (2005) Fernsehformate und Formatfernsehen. TV-Angebotsentwicklung in Deutschland zwischen Programmgeschichte und Marketingstrategie. München, Meidenbauer. Available at http://books.google.co.uk/books/about/Fernsehformate_und_Formatfernsehen.html?id=aRQMAgAACAAJ

Kretschmer, M., J. Wardle, et al. (2009) Exploitation of television formats. Available at http://tvformats.bournemouth.ac.uk.

Lantzsch, K. (2008) Der Internationale Fernsehformathandel. Akteure, Strategien, Strukturen, Organisationsformen. (PhD dissertation) Wiesbaden, VS Verlag. Available at http://www.amazon.de/Der-internationale-Fernsehformathandel-Organisationsformen-Entertainment/dp/3531158589

Larkey, E. (2009) “Transcultural Localization Strategies of Global TV Formats: The Office and Stromberg.’ in Moran, A. (ed) TV Formats Worldwide, Intellect, pp. 187-201 http://www.amazon.co.uk/TV-Formats-Worldwide-Localising-Programs/dp/1841503061

Lippert, B. (2011) Telenovela Formats. Localized versions of a universal love. Göttingen, SV Sierke Verlag. Available at http://www.amazon.de/Telenovela-Formats-Localized-Versions-Universal/dp/3868443185

McCabe, J. and Akass, K., Ed. (2013) TV’s Betty Goes Global. From Telenovela to International Brand. London, I.B. Tauris. Available at http://www.amazon.com/TVs-Betty-Goes-Global-International/dp/1780762674

Mikos, L. and Perrotta, M. (2012) “Travelling Style: Aesthetic Differences and Similarities in National Adaptations of Yo Soy Betty, La Fea.” International Journal of Cultural Studies, 15, 1. Available at http://intl-ics.sagepub.com/content/15/1/81.abstract

Moran, A. (2009) "Global franchising, local customizing: The cultural economy of TV program formats." Continuum, 23(2): 115-125. Available at http://www.tandfonline.com/doi/abs/10.1080/10304310802706932

Moran, A. and J. Malbon (2006) Understanding the Global TV Format. Bristol, Intellect. Available at http://www.amazon.co.uk/Understanding-Global-Format-Albert-Moran/dp/1841501328

Moran, A. (2013) “Global Television Formats: Genesis and Growth.” Critical Studies in Television, 8(2): 1-19. http://cstonline.tv/vol8-no2

Moran, A., Jensen, P. M. & Aveyard K. (2016). Global Television Formats. State of the Art. Bristol: Intellect.

Müller, E. (2002) “Unterhaltungsshows transkulturell: Fernsehformate zwischen Akkomodation und Assimilation Transkulturelle Kommunikation.“ in Hepp, A. and Löffelholz, M. Transkulturelle Kommunikation. Konstanz, UKV: 456-473. Available at http://www.amazon.de/s/ref=nb_sb_noss?__mk_de_DE=%C5M%C5Z%D5%D1&url=search-alias%3Daps&field-keywords=Hepp%2C+A.+and+L%F6ffelholz%2C+M.+Transkulturelle+Kommunikation.+

Nkosi Ndlela, M. (2012) “Global Television Formats in Africa. Localizing Idols.” in Oren. T. and Shahaf, S. (eds.) Global Television Formats. Understanding Television Across Borders, London: Routledge. Available at http://www.routledge.com/books/details/9780415965446/

Nkosi Ndlela, M. (2013) “Television Across Boundaries: Localisation of Big Brother Africa.” Critical Studies in Television, 8(2): 57-72. http://cstonline.tv/vol8-no2

Oren. T. and Shahaf, S. (2012) (eds.) Global Television Formats. Understanding Television Across Borders, London: Routledge. Available at http://www.routledge.com/books/details/9780415965446/

Oren, T. (2013) “On the Line: Format, Cooking and Competition as Television Values.” Critical Studies in Television, 8(2):20-35. http://cstonline.tv/vol8-no2

Rivera-Betancur, J. L., & Uribe-Jongbloed, E. (2012). "La Suerte de la Fea, muchas la desean: de Yo soy Betty, la Fea a Ugly Betty." In M. Pérez (Ed.), Previously On (pp. 825-842). Sevilla: Universidad de Sevilla.

Schmitt, D., Bisson, G., and Fey, C. (2005) The global trade in television formats. London: Screen Digest. Available at: http://screendigest.com/

Skovmand, M. (1992) “Barbarous TV international: syndicated 'Wheels of Fortune'.” in Skovmand, M. and Schrøder, K. C. Media cultures. Reappraising transnational media. London, Routledge: 84-103. Available at http://books.google.co.uk/books/about/Media_Cultures.html?id=kZkOAAAAQAAJ&redir_esc=y

Stehling, M. (2013) “From Localisation to Translocalisation: Audience Readings of the Television Format Top Model.”  Critical Studies in Television, 8(2): 36-53. http://cstonline.tv/vol8-no2

Szostak, S. (2013) “Format Adaptation and Craftsmanship: Interview with Polish Television Writer Agnieszka Kruk.” Critical Studies in Television, 8(2): 76-84.  http://cstonline.tv/vol8-no2

Waisbord, S. (2004) "McTV. Understanding the global popularity of television formats." Television & New Media 5(4): 359-383. Available at http://tvn.sagepub.com/content/5/4/359.abstract